You wouldn't think The Phantom of the Opera would show signs of the Brontës, would you?
Remember, if you will, Rochester's tale of his exploits in Paris in Jane Eyre - Céline, a dancer and an opera singer, was his mistress for a time... and who does he catch her with? A vicomte, one who Rochester describes as a "young roue" and "a brainless and vicious youth".
...Now, why does that sound rather like Christine and Raoul?
Rochester is gentler than the Phantom - no murderous rages, of course - but he fills the same role... essentially.
(Ignoring, of course, that Rochester is far more romantically-inclined than the Phantom, as is to be expected, and that he's not hideously deformed, as is also to be expected.)
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